TV

  José Luis Pardo, a.k.a. DJ Afro, plays guitar for the ubiquitous Los Amigos Invisibles, that New York-based crew of Venezuelans that have been making raunchy disco-Latin blends for more than a decade. Pardo discovered his DJ persona, he says, once he became tired that before the Los Amigos’ gigs, the fans had to listen what…

Colombian music legend Totó La Momposina visited New York to perform at the Chase Latino Cultural Festival. In this interview, she explained how Afro-Colombian music can be nothing short of “exhuberant,” and why it is wrong to talk about a Third World.

Interview with percusionist Pedrito Martínez and composer Onel Mulet, before their performance at Central Park’s Summerstage. Watch here.

Watch here.

If someone asked me to name one thing I am proud of as a reporter/producer, the first to come to my head would be to have interviewed Inti-Illimani’s Jorge Coulón on television. No chauvinism here (although, if you don’t know it, Inti-Illimani is a Chilean musical group); just the sheer pleasure of using media to communicate…

My interview with Antibalas leader Martín Perna, on the third record of his indescribable and wonderful project Ocote Soul Sounds. (Yes, in that picture he is singing to the rhythm of a donkey jaw scratched by a pencil, as you may have thought.)

Moving yet another step closer to becoming the Mano Negra of this generation, Calle 13 recently released Sin Mapa — a documentary of their travels through Latin America. (Manu Chao’s combo shot a film of its 1993 epic train trip through Colombia, scenes of which can be seen here and here.)  At NY1 Noticias, Residente and Visitante…

Before the confirmation hearings of Sonia Sotomayor, NY1 Noticias aired a three part series on her nomination, which I produced for my friend and former co-blogger Juan Manuel Benítez. Click on the stills for the chapters of “Nominación histórica.” FIRST EPISODE: How the nomination of Sotomayor united a fragmented Hispanic community. SECOND EPISODE: What is…

I discovered Guanabee being nominated for a certain contest. Soon I became addicted to their shameless mash-up of pop culture and all things Latino—particularly their mockery of Latino stereotypes. A few weeks later, after losing in the first round of their competition —and just in time for the release of their macho spin-off Anygüey—, I…

Santero lived all over Central and North America before becoming a Lukumí priest and releasing his solid second album, “El hijo de Obatala.” Visiting the city to participate in the LAMC, the Guatemalan-born singer came to NY1 Noticias to explain why he sees no conflict between his religious duties and the urban music he makes.